Author: Sophie Wang

  • Persisting, Observing, and Practicing: Experience of Internship at UCCA

    Persistence

    Since April this year, I have been continuously revising my portfolio and CV, sending applications to ten art institutions. At first, I received internship offers from two fashion brands, a game company, and three art museums. However, the company I desired best—UCCA Center for Contemporary Art—still haven’t reply.

    Founded in Beijing by the Ullens couple, UCCA is China’s top contemporary art institutions and also my favorite museum. It has hosted many solo exhibitions of global famous artists, such as Lubaina Himid and Lawrence Weiner. My desire to intern there not only because its curatorial excellence, but also because I believe the opportunity to learn within a professional and intellectually vibrant environment.

    UCCA webside: https://ucca.org.cn

    I first applied through UCCA’s website in June, updated my portfolio and reapplied in July, but received no response. Although I felt anxious and discouraged, knowing the competition was fierce, I applied a third time in August—and a week later received an interview invitation. During the interview, my supervisor told me UCCA had no plan to recruit interns in June and July, but new projects had just opened positions, and my email happened to appear at the top of their inbox. That experience taught me that no reply doesn’t mean rejection,  persistence and sincerity can create opportunities.

    Observation

    I am currently interning in the UCCA Lab department, which curates collaborative art projects between UCCA and government and various brands, such as Prada, Arc’teryx, and Lenovo. Over the past two months,I have participated in five projects and gained valuable experience.

    Firstly, I developed new graphic design skills. Previously, I only used Photoshop, but many projects required editing AI-format posters and InDesign layouts. To meet these needs, I learned AI and ID by myself. During this process, I often asked technical problems to ChatGPT—it has become my most reliable learning companion. Through continuous practice, I am now proficient in both design software and in using artificial intelligence tools. This improvement has made me more efficient in my internship and made a solid foundation for creating my own publications in the future.

    More importantly, this internship revealed the complex structure behind art projects. Although as an intern, my work mainly involves execution rather than innovation or decision-making, I have learned about the entire process of turning a curatorial concept into an actual exhibition.

    I used to think that curation was simply about spatial design and artwork arrangement. However, I now see that my supervisors must also communicate constantly with government partners and sponsors, refine proposals, collaborate with design studios on visual systems, and handle logistics such as transport and travel. My duties include creating visual designs based on the main visual systems, designing goods, confirming caption with artists…… 

    Practice

    This experience completely reshaped my previous “bias”of curation. It is not merely an artistic idea, but a collaborative and highly coordinated system involving multiple departments. The experiences, methods, and insights I have gained here will continue to influence my future studies and creative practice. 

    At present, I plan to work at UCCA Lab for three months, then apply for another department at UCCA or seek new internship opportunities in London. I hope that through experiencing different professional and cultural environments, I can broaden my perspective, challenge my own biases, and make my artistic practice more open and inclusive.

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  • In the fading of soap, I glimpse the constancy of existence

    In the fading of soap, I glimpse the constancy of existence

    Reflection on the Exhibition Selection

    When I was a child, I often felt a quiet sadness watching a piece of soap slowly disappear.

    A new soap is always square, smooth, and jade-like. But with times of washing, it rubs against hands and clothes, then becomes rough and cracked, shrinking little by little until it disappear completely. This mirrors the track of life itself — from an infant to a wrinkled elder, and finally to death, returning to nothingness.

    Yet in a closed system, matter and energy are conserved. Nothing truly disappears, what seems disappeared is merely transforms. Life is the same — individual death is merely a transformation into another form of existence. 

    Therefore, I depict a soap figure gradually dying, while the vanished parts reunite and slowly take shape again, symbolizing rebirth. 

    As Zhuangzi (A famous ancient Chinese philosopher)  wrote:

    “Heaven and Earth were born with me; all things and I are one.”

    Constancy

    2025, Sophie Wang

    35 cm × 35 cm × 60 cm

    Soap, Acrylic, Glass


    Lathered Living was held from September 24 to October 8 at 798 Art District, Beijing’s most renowned art hub. It is an exhibition of works from global young artists and supported by JingDong (Joybuy’s parent company, one of China’s major enterprises). In this exhibition, works used soap as the primary material, exploring three sub-themes: interpersonal relationships, the body/self, and perceptions of the world.

    When I first saw the exhibiiton’s open call in August, the sub-theme “perceptions of the world” attract me a lot. I had previously created a work exploring the concept of “disappearance” in Eastern philosophy, which closely resonated with its theme and materials‘ concept. I adapted that work and was successfully selected.

    Previous work:

    This was the first time I independently found an exhibition opportunity and made it through a competitive selection process. I also received a £105 gift card as a prize, so I am so excited and proud of it. Besides, I was also fortunate to see many outstanding works by other young artists in this exhibition. This experience made me feel that my work was recognized and seen by a broader audience. It has encouraged me to take part in more public art activities and share my ideas with the world.

    1. Your one and only father avatar
      Your one and only father

      I am pleased to extend my warm congratulations to the establishment of this online archive. The pursuit of artistic elegance lies in everyone’s mind, deeply encoded with their feelings of love, hate, intimidation, and ecstasy. It is thus the artists, who have a mind sensitive enough to notice the subtlety of this connection, to become microphone of people, speaking their feelings in the language of lines, strokes, lights, and shades.

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  • My First Posable Art Doll Commission

    My First Posable Art Doll Commission

    I’ve loved animals and collected many plush toys when I was a child. I always dreamed of owning a unique creature from my imagination. So when I was 16, I started self researching with wool, artificial fur, and wire skeletons, and made my own fantasy creature dolls. These works later became part of my portfolio and helped me get into UAL.

    Last month, a girl messaged me after seeing my work‘s posts on Xiaohongshu. She asked if I could make a custom doll of her dog Tibble. At first, I rejected directly because I honestly didn’t think my skills were good enough to take commissions. My stitching wasn’t always neat and my fabric patterns weren’t perfect. I’m just a self-taught hobbyist who has only made five dolls rather than a professional. Then she told me that her dog had passed away and she wanted a doll to remember him and hold close. I was deeply moved, so I  decided to try.

    I felt a lot of pressure for my first paid commission. I wasn’t confident in my craftsmanship — I worried that she might not be satisfied and ask for a refund. Also, this time the doll was not a fantasy creature but a real pet, which made it even more meaningful. I carefully studied dozens of Tibble’s photos and videos she sent me, analyzed his features, made sketches, and selected materials. I also researched different doll-making techniques to make the structure stronger and the finish better. Then came many days of testing, sewing, felting.

    After more than 20 days, I finally completed a doll that I am satisfied:

    When my client received it, she cried. She told me that over the past year, she had commited more than ten doll makers, but  all their works looked like strangers to her. But my works made She felt that her Tibble came back home. She also told me that when she first saw pictures of my other works, she believed I could capture her dog’s expression. She felt that my dolls had a vivid spirit and were full of my love, which is more important than perfect skills. 

    Screenshot

    I earned around £200 from this commission and used it to make a big gift for my cats.

    Compare to my hard working for 20days, this £200 probably wasn’t huge, but it was a meaningful start — I had earned money through my skills and passion.  creating a memorial doll for client’s pet and receiving their gratitude made this experience unforgettable. It encouraged me to keep improving and sharing my work. More importantly, I’ve realized that sensitivity and devotion are always the most important things in artistic creation.

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